Here at the Year's End

The Earth will be going on a long time
Before it finally freezes;
Men will be on it; they will take names,
Give their deeds reasons.
We will be here only
As chemical constituents—
A small franchise indeed.
Right now we have lives,
Corpuscles, Ambitions, Caresses,
Like everybody had once—

Here at the year's end, at the feast
Of birth, let us bring to each other
The gifts brought once west through deserts--
The precious metal of our mingled hair,
The frankincense of enraptured arms and legs,
The myrrh of desperate, invincible kisses--
Let us celebrate the daily
Recurrent nativity of love,
The endless epiphany of our fluent selves,
While the earth rolls away under us
Into unknown snows and summers,
Into untraveled spaces of the stars.

--from Lute Music, Kenneth Rexroth

Limited Editions

Seattle's Woodland Park Zoo is working with local artists and printmakers to raise awareness of animal species nearing extinction. The campaign is cleverly titled "Limited Edition," referring to the six animals featured (the African Wild Dog, the Golden Lion Tamarin, the Western Pond Turtle, the Sumatran Tiger, the Panamanian Golden Frog, and the Red Crowned Crane) and also to the fact that only 45 copies of each image have been printed. Like the creatures themselves, once the prints are gone there's no bringing them back.

The gorgeous high-quality prints are available for $200 online and at the Zoo Store. All proceeds from the sale go to the zoo’s conservation efforts.

Sacred Music

"Every man prays in his own language." Duke Ellington

Today is Christmas Eve of course, and even those atheists among us have something to celebrate: the end of a long season of schmaltzy, repetitive "holiday" music. As a gift for enduring the torture of Christmas time radio, on December 26th Earshot Jazz presents their annual concert of Ellington's Sacred Music, which is neither schmaltzy nor repetitive.

Ellington's suite of sacred music was the culmination of the last phase of his life's work, inspired by the civil rights movement. In his program notes for the first concert in 1965 he wrote, "How can anyone expect to be understood unless he presents his thoughts with complete honesty? ... Every time God's children have thrown away fear in pursuit of honesty - trying to communicate themselves, understood or not, miracles have happened."

Ellington performed his evolving suite only four times - The first sacred concert took place in Grace Cathedral in San Francisco in 1965, the second in 1968 at the Cathedral of St. John in New York and St. Mark's Cathedral in New Canaan, CT. The final concert was premiered on October 24, 1973 at London's Westminster Abbey. Exactly seven months later Duke Ellington passed away. In his lifetime, Ellington stated that this was the most important music he'd ever written, but because of the scale of the music and the sheer number of artists needed to perform it, Ellington's sacred concerts have rarely been performed since his death.

It's a great treat to see the work performed live, and Town Hall Seattle is a wonderfully intimate setting. This year the concert features the Seattle Repertory Jazz Orchestra, co-directed by Michael Brockman and Clarence Acox, with guest vocalists Everett Greene, Nichol Eskridge, and the NW Chamber Chorus, and a special appearance from tap-dancer Alex Dugdale. Tickets run from $15 to $34 and are available here.

Here is some excellent footage of the premier of Ellington's Sacred Music at Grace Cathedral, with a star-studded orchestra that includes such legends as Cootie Williams, Cat Anderson, and Paul Gonsalves.

Spiral Path of a Blindfolded Man

in 1916 the American zoologist Asa Schaeffer observed that an amoeba placed on a cylindrical surface always moved in a spiral path around the cylinder. To further study spiral movement, Schaeffer blindfolded a right-handed friend and instructed him to walk a straight line across a country field. Schaeffer plotted his friend's track, which described a clockwise spiral form until the man happened to stumble on a tree stump.

From the aptly named Endless Forms Most Beautiful.

Clouzot's Inferno

“Henri-Georges Clouzot’s Inferno” is a fascinating documentary about a movie that was never made.

In 1964, Henri-Georges Clouzot was a titan of French cinema, venerated for films like “The Wages of Fear” and “Diabolique." It had been four years since he had made a film, and Clouzot conceived an ambitious project — to be called “L’Enfer” — a story of sexual jealousy and psychological instability that would encompass an array of new and radical techniques.

Columbia Pictures greatly anticipated the film, promising “unlimited” support, with a sense that this would be a historic work. But as the production grew in scale Clouzot grew more demanding, more obsessive and harder to work with. The crew and cast grew restless and alienated, and Clouzot, who seemed to go mad himself, had a heart attack. The project came to a screeching halt and was never completed.

Serge Bromberg, the documentary's director and narrator, worked with Clouzot's widow to unearth 85 film cans containing some 15 hours of footage. There were some completed scenes and hours of tests that the meticulous director had conducted to assess everything from costumes to camera lenses to complicated optical effects. The images that have made it into the documentary are frequently beautiful, if sometimes bizarre, and give a tantalizing sense of what might have been while chronicling the disintegration of Clouzot and his epic.

“Henri-Georges Clouzot’s Inferno" plays at the Northwest Film Forum this Tuesday, Wednesday and Thursday.

Hidmo means Home

I just got the news that Hidmo - a most unusual restaurant, performance venue and cultural space in the heart of Seattle's Central District - is shutting down. The family and friends who ran Hidmo for more than 4 years put their hearts and souls into creating an uncommonly warm and welcoming space. On any given night you could find performances by young hip hop artists, presentations by filmmaking collectives, Iranian folk music, pan-African activists, family reunions, and the list goes on. PLUS you could get killer Eritrean food and a cold bottle of St. George beer.

Assuming you're reading this after Monday night, you've already missed the closing party (with Gabriel Teodros spinning) like I did. But you may be in time for the next party, when Hidmo reopens as a ground floor tenant in the newly renovated Washington Hall. Even so, Seattle will miss the special little Jackson Street space where you could always find the unlikely.

Keep an eye on the developments, if any, at the Hidmo website.

Farewell Captain

“If you want to be a different fish, you gotta jump out of the school.”

Captain Beefheart died yesterday, December 17 2010. Beefheart was simply one of the most singularly strange, goading, galvanizing musicians of the 20th century. He led the Magic Band, one of the tightest and most bizarre of all rock bands, with his remarkable vocal style covering four-and-one-half octaves and employing everything from grunts and groans to hoots, howls and ear piercing screams. He experimented with idiosyncratic rhythms, absurdist lyrics and an unholy alliance of free jazz, Delta blues, modern classical music and rock & roll to create a singular body of work virtually unrivaled in its daring and fluid creativity. While he never came even remotely close to mainstream success, Beefheart’s impact was incalculable, and his fingerprints were all over punk, new wave and whatever comes next. He was one of modern music’s true innovators. We were very lucky to have him.

Heaven and Hell

Those lucky enough to ride the elevator at the swank new Standard Hotel, on the western edge of Manhattan, are treated to an otherworldly piece of eye candy: "Civilization," a depiction of heaven, hell, and purgatory created by video artist Marco Brambilla. The enormous video collage is cobbled together from hundreds of scenes, lifted from movies. As the elevator rises, the sequence, running from an overhead projector, ascends to heaven. As the elevator descends, the video runs in reverse, ending in hell. The piece runs as one enormous loop.

Absolutely hypnotic.



Thanks to mega gorgeous Anne Grgich for the tip!

Narradores Jovenes

Granta literary journal, and its Spanish language spinoff Granta en Español, just released their magazines' respective November issues which feature short work by the 22 "best" young Spanish-language novelists. In a first for Granta, the magazine has been published simultaneously in English and Spanish.

Each of the writers selected was born since 1975, the year that the dictatorship in Spain finally came to an end and the tradition of exiled South American writers living and working in Paris shifted toward a new generation of émigrés seeking publication in post-Franco Spain.

It's a vibrant and diverse portrayal of a generation of talented writers from across the planet, as selected by Granta's editors along with the Argentinian writer and film-maker Edgardo Cozarinsky, British journalist Isabel Hilton, novelist Francisco Goldman, and writer and literary critic Mercedes Monmany. The fiction is also profoundly diverse, ranging from political tales to moral fables to deeply unsentimental love stories.

The magazine is available in English at most good bookstores, and available in Spanish right here. Pick it up.

The melancholy year is dead with rain.

by Trumbull Stickney

The melancholy year is dead with rain.
Drop after drop on every branch pursues.
From far away beyond the drizzled flues
A twilight saddens to the window pane.
And dimly thro' the chambers of the brain,
From place to place and gently touching, moves
My one and irrecoverable love's
Dear and lost shape one other time again.
So in the last of autumn for a day
Summer or summer's memory returns.
So in a mountain desolation burns
Some rich belated flower, and with the gray
Sick weather, in the world of rotting ferns
From out the dreadful stones it dies away.

Art Jam

On Saturday December 11th, as many as 30 Georgetown and South Seattle-based artists will convene on the 9lb Hammer in Georgetown to create art into the wee hours. Everything made will be for sale on the same night, with nothing priced higher than 50 bucks. In addition to the art making, drinks will be flowing all night and a number of DJ's will be spinning jams until closing time. Some fun photos of past events here and here.

In related news, Seattle collective Artifakt are throwing a party at LO-FI which also blends music and art. On Friday December 10th, they’re hosting a show of new stencil work by local artists Wakuda, Grym, 179, and Urban Soule, with sets from DJ's Flave, Hanibal, Jonny Foreskin, and Flat & Furious.

Come out this weekend to have a drink, shake your tail and support Seattle artists!

Ericailcane

Leonardo Ericailcane is best known for his large scale street art, but his small works on paper are also very beautiful and absorbing. Ericailcane has a truly weird and wonderful new book out, called Potente Di Fuoco, in which he revisits drawings from his childhood and redraws them 20 to 25 years later. It’s a very clever idea, and the images are truly beautiful, especially when seen side by side.

Ericailcane currently has a show running at Upper Playground in San Francisco. He painted a sweet new mural for the occasion. The show runs through December 19th.

A Fire in My Belly

Gurldoggie is doing her part to make sure that you can see the video created by David Wojnarowicz which was recently removed from the Smithsonian's National Portrait Gallery after the video was criticized as "being offensive to Christians."

The video, called “A Fire in My Belly,” was created by Wojnarowicz in the 1980's as part of his long and thoughtful response to AIDS and the criminally hypocritical reaction to the disease by public officials. The video was recently part of an exhibition at the Portrait Gallery called “Hide/Seek: Difference and Desire in American Portraiture" which opened on Oct. 30 and which billed itself as “the first major museum exhibition to focus on sexual difference in the making of modern American portraiture.”

One month later, Catholic League president Bill Donohue called the work an act of "hate speech" against Christians, and began to pressure the House and Senate Appropriations Committees to reconsider funding for the Smithsonian. In response to this misreading of the work and mounting pressure, the work was removed from the exhibition on November 30.

Responses to the censorship have ranged from the Washington, D.C. nonprofit Transformer showing the video in its window, to an activist entering the gallery with the video playing on an iPad hung around his neck, to the angry rant of Diamanda Galas. Museums across the country are putting works by Wojnarowicz on display, and the New York gallery PPOW is offering to ship the video for free to any group that wants to exhibit it. For those of you who do the Facebook, you can keep up with actions surrounding the Wojnarowicz controversy on the Facebook group "Support Hide/Seek."

Richardson on Picasso

Art historian John Richardson will be in Seattle on Wednesday December 8 to speak about Pablo Picasso with scholar Gijs van Hensbergen.

Richardson was Born in London in 1924 and was already a renowned critic and curator by 1952 when he moved to Provence to create a museum of cubist art. Picasso and his wife at the time, Jacqueline Roque, were neighbors and frequent visitors, as were Georges Braque, Fernand Léger, Jean Cocteau, and other vitally important 20th century artists. Picasso and Richardson became friends during these years, and Richardson made a point of carefully studying the painter's life and his work.

Upon moving to the United States in 1960, Richardson organized a major retrospective of Picasso's work that was held simultaneously at nine New York galleries. Beginning in 1980 he devoted himself full time to writing the definitive study of Picasso’s life. His phenomenal A Life of Picasso now fills three volumes, soon to be four. The final volume, currently being written by Richardson with assistance from van Hensbergen, covers Picasso’s last forty years.

In addition to his work on Picasso, Richardson has written art criticism and history for The New York Review of Books, The New Yorker, and Vanity Fair. In 1993 he was made a Corresponding Fellow of the British Academy; in 1995-96 he served as the Slade Professor of Fine Art at Oxford University.

Richardson speaks with van Hensbergen at Benaroya Hall on December 8 at 7:30 PM. More information and tickets available right here.

What to Read in the Rain

826 Seattle is a nonprofit organization focused on teaching young people how to improve their writing, and helping teachers inspire their students to write. The organization has just released a new anthology titled What to Read in the Rain (written by "famous and not-yet-famous adult and young writers.") which they are selling as a fundraiser. The collection is a kind of love letter to Seattle, with over 300 pages of Northwest-centered stories, poems, essays and recipes from some well-known authors (including Tom Robbins, Michael Chabon, and Seattle-based scribes Lauren Weedman and Megan Kelso) as well as many young participants in the 826 program.

The book is being placed in hotel rooms throughout Seattle, where visitors will find What to Read in the Rain greeting them from their bedside table and will be able to credit their room accounts for the cost of the book at check-out time. For those of us who actually live here, the book is available now through 826 Seattle's retail front, the Greenwood Space Travel Supply Co.

Punk Rock Flea Market

I almost forgot to mention... the next Punk Rock Flea Market is right around the corner, taking place this Saturday, December 4. The particulars are the same as ever - at the Underground Events Center, hosted by the Low Income Housing Institute, just $1 to get in - but the specifics are a little different. About 2/3 of our vendors are BRAND NEW this time, including many craft vendors, record sellers and junk dealers who are unknown to me. Very exciting - I love our old friends, but I'm psyched to see the new treasure trove of goodies. As always, DJ Port-a-Party spins the tunes, the bar is open, and the event is all ages, all day. For God's sake people: don't miss this.

Also worth noting: the graphic and poster for PRFM9 were designed by none other than Seattle street art heroine 179. AND true blue PRFM honcho The Corey has got our new website up and running. Cheers!

...speaking of Harry

This is an excerpt of one of Harry Smith's earliest film experiments, created between 1946 and 1957. This movie was made through a combination of hand-drawing directly onto the film strip, and batiking each individual cell, a process involving successive layers of dye, through which masked areas of the strip form abstractions. The process is involved and exhausting, the results fascinating and beautiful. It took him 9 years to create his first 10 short films, they are well worth 6 minutes of your day to watch.

Wild About Harry Smith

On the night after Thanksgiving, American Standard Time and Columbia City Theater present a night of history and song honoring hometown counter-cultural hero Harry Smith and his celebrated Anthology of American Folk Music.

Harry Smith was a film maker, painter, ethnomusicologist and collector born in Portland and raised in the Pacific Northwest. His parents were Theosophists, who encouraged his fascination with unorthodox spirituality and philosophy. By the age of 15, Harry had spent time recording songs and rituals of the Lummi and Samish peoples and had compiled a dictionary of several Puget Sound dialects. He studied anthropology at the University of Washington between 1943 and 1944, and moved to San Francisco in the late 1940's where he began to build a reputation as a leading experimental filmmaker. His work in Non-Objective Painting led to a Solomon Guggenheim grant in 1950, at which point he moved to New York where he lived for the rest of his life. In addition to his many other accomplishments, Smith donated the largest known paper airplane collection in the world to the Smithsonian Institution's National Air and Space Museum, was a collector of Seminole textiles and Ukrainian Easter Eggs, and was the world's leading authority on string figures, having mastered hundreds of forms from around the world.

As for the Anthology of American Folk Music, Smith's six-album anthology featured songs recorded by unknown artists for obscure record labels in the 1920's and early 1930's. Smith collected the vinyl records as a personal obsession, but in 1952, in need of money, he offered to sell his extraordinary record collection to Folkways Records. Instead, Moses Asch, the label's president, challenged Smith to cull his collection into an anthology. The records went on to become a vital compendium of American music and a touchstone for the folk music revival on the 1960's.

Inspired by Harry Smith's pivotal release, many Seattle folk musicians - including Zoe Muth, Pufferfish and Shenandoah Davis - will perform selections from all three volumes of the Anthology at the Columbia City Theater on Friday November 26. The evening is hosted by Greg Vandy, the DJ behind "The Roadhouse" on KEXP and the visionary behind American Standard Time, a new enterprise which collects and presents contemporary and historical research on Americana and Roots music.

The show begins at 8:00 and costs just $8. Tickets available here.

Paul Celan

Today is the birthday of Paul Celan, born November 23, 1920.

Born into a Jewish family in Eastern Europe, Celan bore witness to the atrocities of World War II while in his 20's, the most cataclysmic being the deportation and murder of his parents. Celan escaped from a forced labor camp, living in Bucharest and Vienna before settling in Paris. Though familiar with at least six languages, and fluent in Russian, French, and Romanian, he continued to write poetry in his native German.

During and immediately following World War II, Celan’s poetry contained some of literature's strongest verse capable of reflecting the war and the Holocaust. His later poems often contain brief, fractured lines and stanzas, with compressed and unpredictable imagery, with the forms of the poems echoing the difficulty of finding language for the experiences he witnessed. About confronting the horrors he witnessed during the war he wrote:

Only one thing remained reachable, close and secure amid all losses: language. Yes, language. In spite of everything, it remained secure against loss. But it had to go through its own lack of answers, through terrifying silence, through the thousand darknesses of murderous speech. It went through. It gave me no words for that was happening, but went through it. Went through and could resurface, ‘enriched’ by it all.

Celan lived in Paris until his suicide by drowning in April 1970.

Cologne

In Kohln, a town of monks and bones,
And pavements fang'd with murderous stones
And rags, and hags, and hideous wenches;
I counted two and seventy stenches,
All well defined, and several stinks!
Ye Nymphs that reign o'er sewers and sinks,
The river Rhine, it is well known,
Doth wash your city of Cologne;
But tell me, Nymphs, what power divine
Shall henceforth wash the river Rhine?

WK in DF

Street artist WK Interact is in Mexico City right now, having just completed work on a massive mural on the walls of the Archivo General de la Nación or General National Archives. The image above is just one cropped section of the 200 meter long design that WK has been installing for weeks. More images from the mural in progress here.

With WK’s characteristic energy and dynamism the mural expresses the power-struggle between the federal and revolutionary armies during the Mexican Revolution, which commemorates its 100th anniversary this year. The building commonly known as the “Black Palace of Lecumberri” was built by Porfirio Diaz’s government in 1900 and served as a prison until 1976. The notorious jail held such figures such as Pancho Villa and the legendary muralist David Alfaro Siqueiros and was the site of the assassination of President Francisco Madero, the event that sparked the most violent period of the Revolution. Today the Archivo houses an important part of Mexico’s graphic legacy, and a section of the building will soon be transformed into a museum.

The grand opening took place yesterday, November 20, and the monumental mural will be exhibited until January 20, 2011.