Thursday, May 16, 2013

Goltzius and the Pelican Company

70 year old iconoclastic film maker Peter Greenaway has built an utterly unique oeuvre of visually compelling and morally questionable films. His newest film, Goltzius and the Pelican Company spins a tale of vivid eroticism and religious hypocrisy. The hero is 16th-century Dutch engraver Hendrik Goltzius, who convinces a wealthy patron to fund a revolutionary new printing press by having his employees enact lusty scenes from the Old Testament. An unrelenting provocateur, Greenaway doesn't miss an opportunity to enact those Biblical chapters that feature threesomes, voyeurism, masturbation and incest. The religious establishment is by turns seduced, scandalized, and up in arms.

There are many ways to fault Greenaway as a storyteller: His compositions are over-meticulous; his targets are well battered; he seems to lack basic human warmth. Still it can't be denied that his movies provide rich food for thought and a feast for the senses. In the end, they're glorious. This film looks to carry on his singular reputation.

Peter Greenaway will be in Seattle this Sunday, May 19, to present Goltzius and the Pelican Company, as part of the Seattle International Film Festival. If tickets aren't sold out yet, they are available here.

Tuesday, May 14, 2013

The Spokesman

This is terrific. Take 3 minutes out of your day to watch The Spokesman, a charming little documentary about an Australian man who "collects one bicycle from each developmental epoch for future generations to enjoy, a kind of time capsule."

Monday, May 13, 2013

NEPO 5k

360-odd days every year, NEPO House on Beacon Hill is the home of sculptor and photographer Klara Glosova and her family. For a few days in the spring and fall, their house is colonized by art. For those hours every part of NEPO House — the kitchen, the closets, the pillows, the refrigerator, the bathtub - becomes part of a huge installation that is wide open (or "nepo") to the public.

A few times in the past years, Klara and her curating team have pushed that idea even farther by turning their entire neighborhood into an open house. They pick a route from the house, out to the street, along the Beacon Hill ridge, and down to the International district - more or less 5 kilometers long - and plant temporary art along every piece of it. The list of artists who have participated is long enough to fill dozens of blog posts. But chances are that if you are fond of some Northwest artist, he or she has created a piece for a NEPO event.

Curator and home owner Klara is currently collecting proposals for site specific artwork and performances. Maybe you've got a brilliant idea? Let Klara and the NEPO team know about it at info@nepohouse.org.

Saturday, May 11, 2013

Maggie


"She wasn’t fair and she didn’t know the meaning of the word. If she had, she would have helped, not opposed, Nelson Mandela in his fight against apartheid. She wouldn’t have personally ordered the sinking of the Argentinian warship General Belgrano even though it was outside the defined exclusion zone. (Three hundred and twenty-three men died that night.) She wasn’t fair and she wasn’t just, either, otherwise she would have seen—as many of her ministers did—that the Poll Tax would only make life harder for people who were already struggling."

A perfectly just remembrance of Margaret Thatcher by Scottish novelist Andrew O'Hagan in the New York Review of Books.

And if you have the stomach for it, much more on Maggie from Morrissey, Simon Schama, Ken Livingstone, John Lydon, Andrew Spooner and Ian McEwan.

Friday, May 10, 2013

60 Second Film Festival

It's the second year for the quietly ambitious 60 Second Film Festival on Vashon Island.

Local producer Matt Lawrence, working with Seattle advertising firm The Garrigan Lyman Group, have invited film makers from around the world to submit films of any kind, as long as they are exactly 60 seconds in length.

The event starts at the awkward time of 1:30 pm on Sunday May 18th at the Vashon Theater. The organizers will screen around 40 films in their entirety with no stopping and no pauses.

To get some idea of the bounty of this little festival, all of the films screened at last year's festival can be seen here, Some of which are excellent, some of which are dreadful, and all of which are (almost) exactly 60 seconds long.

The trailer for the festival is a charming little film in itself, not least because it features a dozens of notable Vashon Island landmarks in all of their cinematic glory.

Thursday, May 9, 2013

Animated Murals

He may be a big businessman these days, but I still really love the animated murals that INSA creates. The magic of these pieces is that they only exist online - he paints and re-paints the walls multiple times to achieve these animated effects.

insa photo INSA-4.gif

Incredible stuff. More here.

Tuesday, April 23, 2013

Songs of the Abyss

Baltimore cartoonist Eamon Espey’s beautiful new graphic novel, Songs of the Abyss, has just been published by Secret Acres.

Eamon’s stunning graphic work has appeared in art shows in Los Angeles, Istanbul, New York and Sweden, as well as in magazines across the planet. Songs of the Abyss continues Espey's fascination with the spiritual and grotesque - ancient Egyptian gods birth Biblical giants; Santa Claus is an agent of the Devil; A scientist performs sadistic experiments in search of enlightenment.

Eamon collaborated with sculptor and puppeteer Lisa Krause to promote the book through a puppet show adaptation of one chapter of the new comic, titled "Ishi’s Brain," based on the true story of a man often been referred to as “the last wild Indian.” The show includes shadow puppets, masks, marionettes and lots of painted cardboard.

Eamon and his puppet show come to Seattle for one performance only. This Thursday, April 25, at the Richard Hugo House. Presented by the ever-expanding Short Run Literary Collective. Tickets are just $5 and available at the door.

Wednesday, April 17, 2013

Pedaler’s Fair

This weekend brings the second annual Seattle Pedaler’s Fair to the Underground Events Center in Belltown. This is very smart and sexy marketplace for Washington based, bicycle-inspired small businesses with a little bit of everything. Dozens of exhibitors include Hinderyckx Bikes, High Above, Swift Industries and many more with lots of cool bike gear for sale. Plus beer, food and workshops throughout the weekend. Coming up this Saturday and Sunday, April 20-21, from 11am-5pm both days.

Tuesday, April 16, 2013

Luc Sante at the Film Forum

Over the past thirty years writer and historian Luc Sante has written brilliantly about photography, social history, popular music, literature and art for dozens of international outlets. His connection to film is also iron clad, having been a film critic, an actor, a consultant on Martin Scorsese's Gangs of New York, and a film director.

This week Sante brings his latest work of film and social history to Seattle's Northwest Film Forum for its world premiere. The Other Paris explores the dark side of the City of Light over the course of one evening. Working with excerpts from classic and forgotten films, Sante exposes Parisian class structure, spends time with the destitute, visits a slaughterhouse, witnesses a murder, and observes Parisian life under the German Occupation. With running commentary from the director, we see the death of bohemia and the end of self-determination, meet prostitutes and thieves, and experience the sordid underbelly of one of the world's most beautiful cities.

Sante presents The Other Paris from Apr 18 - Apr 20 at 8:00 pm. Tickets are only $12 for Film Forum Members, and can be purchased right over here.

Saturday, April 13, 2013

Me I

A rainy Saturday morning, and we're at home watching videos. This terrific clip created for TV On The Radio by directors Daniel Garcia and Mixtape Club never gets old.

Thursday, April 11, 2013

Attila József

Today is the birthday of Attila József, born April 11, 1905.

József is one the best known modern Hungarian poets internationally, his poems having been translated into languages around the world and hailed during the communist era as Hungary's great "proletarian poet."

Born in an impoverished Budapest neighborhood, his father left the family when József was three, and József and his two sisters were supported by their mother, a washerwoman. His mother died when József was 13, at which point he dedicated himself primarily to his education. With help from a sponsor, he traveled to Austria and Paris, where he studied French and discovered the work of the 15th Century poet and thief François Villon.

Jószef published his first book of poems at 17, and his second collection of poems contained a poem branded as "revolutionary," which resulted in his expulsion from University. He wrote: "I have no father, no mother, no God, no country, no cradle, no shroud, no kisses, no love... I shall be seized and hanged and buried in hallowed ground, and grass that brings death will grow over my wondrously fair heart" He traveled with his manuscripts, selling newspapers and working an an itinerant janitor.

In 1927 several French magazines published József's poems, and eventually he was able to scrape together a meager income from poetry. His life was a series of small triumphs and great disappointments - becoming recognized by celebrated Hungarian critics, only to fall afoul of them when he dared to criticize their work. He joined the still-outlawed Hungarian Communist Party in the late 1920's, only to be charged with political agitation and obscenity and expelled from the party in 1933.

In 1935 he was hospitalized for severe depression, and in 1936 József was given a job as a co-editor of the independent left-wing review Szép Szó. In January 1937 he received the high honor of an audience with author Thomas Mann, but he was forbidden to read publicly the poem he wrote in tribute in Mann. Despite writing what is widely acclaimed as his best work during this period, he was again hospitalized and on December 3, 1937 József committed suicide by throwing himself under a freight train, seen only by a lunatic from the village.

The Seventh

If in this world you lay a claim,
let seven births be your aim!
Once be born in a burning home,
once in a flood in an icy storm,
once in a clinic where the mad retreat,
once in a field of bending wheat,
once in a cloister with a hollow ring,
once in a sty with a pigsty stink.
The six cry out, but which is key?
You yourself the seventh be!

If out front stands the enemy,
take seven men for company.
One, who starts his day of rest,
one, whose service is the best,
one, who teaches on a whim,
one, whom they threw in to swim,
one, who’s the seed of forestland,
one, whose forebears took a stand,
not enough tripping up and trickery,—
you yourself the seventh be!

Should you be seeking a lover,
let seven men pursue her.
One, whose word conveys his heart,
one, who gladly pays his part,
one, who pretends to be the pensive sort,
one, who searches beneath her skirt,
one, who knows where the hooks are,
one, who steps on her scarf,—
like flies around meat, buzzing free!
You yourself the seventh be!

If words are jangling in your purse,
seven men should compose your verse.
One, who chisels a city’s form,
one, asleep when he was born,
one, in awe of the celestial plain,
one, whom the word calls by name,
one, whose ailing soul revives,
one, who dissects rats alive.
Four scholars and two infantry,—
you yourself the seventh be.

And if it all happened as penned,
descend to the grave as seven men.
One, who’s rocked by a milky breast,
one, who grabs at a woman’s chest,
one, who throws dishes in the trash bin,
one, who helps the poor to win,
one, who works till he’s crazy,
one, whom the moon makes lazy;
into the world’s tomb you journey!
You yourself the seventh be!

Tuesday, April 9, 2013

David Byrd

87-year old painter David Byrd has painted incessantly since grade school, and has never before exhibited his work in a commercial gallery. Living and painting by himself in Sidney Center, New York, he had long since resigned himself to a life of invisibility after retiring from his long career as an orderly at a psychiatric Hospital.

Last September, a new neighbor was curious about a driveway filled with random junk carefully arranged, and she worked up the courage to knock on the door. There, she met Mr. Byrd and saw a house filled with hundreds and hundreds of his paintings. There were so many that they were hung three to a single nail. When she took one down, there was another one nested underneath.

The neighbor, Jody Issacson, also a painter, reached out to gallery owners on Byrd's behalf. As a result he is having his first-ever gallery exhibition at Greg Kucera Gallery in Seattle, where Isaacson also shows. His first show comes 77 years after he attracted attention for his grade-school drawings, more than 60 years since his brief formal art studies, and 25 years after his retirement.

The paintings are astounding, for their sense of narrative, studied poise, and unexpectedly tranquil centers. The surfaces are parched and raw, with a sparse pale palette, bringing forth visions of people Byrd has known, places he has seen, and more than anything else the intense and solitary lives of the people he observed every day at the hospital.

The nearly 100 paintings and sculptures represent work made throughout his life, and span the entire first floor of the Kucera Gallery. Jen Graves wrote a feature article on Byrd for the Stranger, which gives some sense of the unexpected beauty of his work. Seriously - Don't miss this show if you are in Seattle. At the Greg Kucera Gallery, 212 Third Ave S. From now until May 18, and completely free.

Monday, April 8, 2013

Ben Katchor

Cartoonist Ben Katchor pays attention to the forgettable things all around us. Tags on women's clothing, sugar packets, boxes of cheap second-hand postcards... all of it is the raw material from which Katchor conjures his panoramas of wistfullness and nostalgia.

His most recent book, Hand-Drying in America, is a compilation of monthly comic strips created for Metropolis magazine. True to form, Katchor ruminates on dancing schools, bars of soap, and the sound of the common light switch. "The architect spent hundreds of hours designing burnished brass switch plates for his new office tower, and then left it to a contractor to install these 79-cent switches behind them. ... The sound we are greeted with ... recalls to mind the dirty men's room in the rear of a Babylonian coffee shop."

Katchor says that his strips are "graphic notations of dreams that I have about the city." He often writes, he says, just before going to bed, when he's in a half-waking state. "This concentration on these minute details is not just to be willfully obscure. It's like a scientist looking at the molecular structure of things. If you really want to see how things work, you have to go down to the small scale."

Katchor appears on Tuesday April 9 at the University Book Store. Free of charge, beginning at 7 pm.

Wednesday, March 20, 2013

Suyama Space Garage Sale

The Suyama Space Benefit Garage Sale is a wondrous and completely irregular event in which the eccentric architecture firm Suyama Peterson Deguchi clears out its curiously curated attic, basement and gallery space. After a two year hiatus the sale is finally back, and includes an incomprehensibly weird and satisfying mix of objects including (but hardly limited to) one of a kind handmade furniture, taxidermied animals, transistor radios, foreign language typewriters, splendid textiles, objets d'art and many more unnameable treasures.

The sale takes place this weekend only, on Friday from 9 to 5, Saturday from 10 to 4, and Sunday from 10 to 4. At 2324 Second Avenue in Belltown. Bring cash!

Friday, March 15, 2013

Missing Links

* Book collector Richard Hell in the New York Times.* W. H. Auden was a professor of literature and history for one year at the University of Michigan for one year." His syllabus required over 6,000 pages of reading including "The Divine Comedy," "The Brother's Karamazov" and "Moby-Dick." * Here's a short film of Michael Jackson dancing, made with Legos * In 1977, when Jean-Luc Godard was invited on an assignment to Mozambique, he refused to use Kodak film on the grounds that the stock was inherently ‘racist’. * PennSound hosts a large archive of poet John Ashbery’s recorded work and performances dating back to 1951 * I could look at shit like this all day: Magnifying the Universe. Full screen is best.*

Wednesday, March 13, 2013

Hands

The project Hands, by a 4-man team from Barcelona, is some darn clever street art. The installations spreading through Barcelona's streets are well suited for an online presentation, complete with a video for political context. People's reactions to the art, not to mention the creation and installation processes, are also very well captured. Nicely done.

Tuesday, March 12, 2013

Yo La Tengo Murders the Classics

The world's greatest radio station, WFMU from East Orange New Jersey, is in the midst of their annual fund drive, and I am happy to promote them as a worthy cause.

Also on the list of supporters, the world's greatest cover band, Yo La Tengo, are playing your cover song requests in exchange for a minimum pledge of $100. This Thursday from 9am to noon East Coast time, the Yo Las will be beaming in live from Berlin. Good Samaritans can use this link to get your request in early, and listen here to see what they do to your favorite song.

If you can't play the radio at work, or don't have $100 to contribute, you can buy a ticket for just $20 to see Yo La Tengo live in Seattle on May 17th. But they won't be taking requests.

Sunday, March 10, 2013

Dinosaur Saints & Humble Robots

Speaking of Adam Ende, what has that guy been up to?

As it happens, Adam has been traveling with his son Cornsnake as part of their father and son puppet troupe, Jawbone Puppet Theater. Together they adapt stories of Franz Kafka, reinterpret African American folk tales with dinosaurs, explode in Spanish political rants, and share a gorgeous story about 16th century Peruvian saint San Martin de Porres. Adam designs the puppets and 5-year-old Cornsnake serves as love interest and musical director.

The two of them have been crossing the United States in a van along with Puerto Rican puppet troupe Poncili Company, who present their own subversive, thought provoking and occasionally shocking spectacles made of cardboard.

The 5-person circus recently wrapped up a two-month multi-city tour of New England, the Atlantic coast and the deep South, and are gearing up for their Spring and Summer tour across the northern states, Pacific Northwest and California. Touring libraries, farm markets, left wing book stores, underground enclaves and parking lots, they are probably headed your way before you know it. Watch their regularly updated facebook page for exact dates and locations.

Wednesday, March 6, 2013

Charles Burnett's Wedding

The 2007 theatrical release of Charles Burnett's 1977 drama Killer of Sheep was a landmark cinema event. The poetic and raggedly beautiful portrait of a Watts slaughterhouse worker was rescued from obscurity, and the director was catapulted into a long overdue fame.

Now, Burnett's lost second feature My Brother's Wedding, from 1983, has been released and is being shown as part of the Northwest Film Forum's L.A. Rebellion retrospective of African-American indie cinema. Set and shot in South Central L.A. with a largely nonprofessional cast, the film offers a world of complex family dynamics and social relations, shot before a complicated background of a loving neighborhood riddled with violence. The film remained unfinished until 2007, when Milestone Films - who also rescued Killer of Sheep - acquired the rights from its German financiers.

Charles Burnett will attend the screening at NWFF on Friday night, and on Saturday he will be at the screening of Bless Their Hearts which he shot for director Billy Woodberry in 1984. Saturday's screening is preceded by a free talk between Burnett and UW Professor of Social and Behavior Sciences Clarence Spigner. A bargain at $10, and tickets are available here.

Monday, March 4, 2013

Don't Hug me I'm Scared

Thank you Adam Ende for sending me this!

A trippy piece of puppety something from This Is It film-making collective out of London.