Stacey Rozich

Seattle based illustrator Stacey Rozich has been preparing for an upcoming solo show, and she released some images of her new work to the excellent My Love For You is a Stampede of Horses. Just lovely images - strange scenes mixing the mystical and the quotidian, overflowing with color and detail. Rozich's show, The Last Wave , opens on April 5th at Flatcolor Gallery in Seattle. Until then, you can track her work in progress over here.

We Own the Night

From early 2009 to mid-2010, the Underbelly Project was the art world’s best-kept secret. After years of kept promises and hushed mouths, the book "We Own the Night" has finally been released offering some three hundred photographs of the project plus the death-defying stories from some of the participating artists.

The story has it that in 2005 New York street artist PAC first discovered a South Manhattan subway station that had been abandoned for 80 years. Compelled to revisit the place, he invited a collaborator, Workhorse, and the two of them conceived of turning the station into a gallery for the world’s leading urban artists. They arranged late-night trips to the "gallery" for more than 2 years, painting night after night to transform the space into the largest underground art gallery in the world.

When the curators declared the project finished in 2010, they invited a handful of friends and street-art friendly journalists who were sworn to secrecy, but there was no opening to show the work and the public were never invited. In late October of the same year, the secret was out when the New York Times ran a feature about an art installation that very few people would ever see. Soon afterward the space was boarded up by the MTA, and its location remains a secret to this day. The new book is the first full document of the work, and though I haven't seen it yet, I daresay it's set to become a seminal book on street art, and may even form the end of a history opened by Henry Chalfant.

More on this great project right here.

Mushrooms

Back in Seattle. It's a far cry from the beaches of southern Mexico, but at least you can say this for my hometown - it's a good place to grow mushrooms.

Olson Kundig Architects are making the most of the natural damp by building an indoor mushroom farm nourished by nutrient-rich coffee grounds salvaged by local baristas. Together with design collective CityLab7, Olson Kundig have created an installation that includes an impressive mushroom-growing tent constructed out of salvaged plywood and plastic, and a gathering area for educational workshops, lectures, and community lunches, all centered around a twenty-foot-long table made of reclaimed timber. Visitors are invited to tour the cocoon-like tent and witness urban farming firsthand in the form of 215 oyster mushroom growing bags, expected to eventually yield over 200 pounds of mushrooms, all to be donated to programs that feed local families. Very resourceful. Read more about it right here.

Happy Days

As you read this, I am currently laying on the beach on Mexico's Pacific Coast, watching the waves come in. Or maybe I'm already in the bar, drinking a Negra Modelo and eating fresh ceviche. Happy Days.

Back home in Seattle, another woman is spending time on the beach. However, seeing as how her travel agent is one Samuel Beckett, one can assume her time is somewhat less enjoyable. In fact, actress Mary Ewald is currently buried in sand up to her neck, getting ready for her turn as Winnie in the New City Theater production of Beckett's play Happy Days.

The ironically titled play is indeed a beach scene of sorts - the action takes place on an endless expanse of beach, with harsh sunlight beating down on the protagonists. Winnie, the main character, is buried in sand, completely immobile, engaging in her tedious daily routine. There is no relief from the heat - at one point even her parasol, her only protection, bursts into flames. Meanwhile her only companion in the world, Willie - played by Seanjohn Walsh - grunts with irritation, works Vaseline into his privates and sleeps. In short, this is theater not be missed.

Happy Days opens on March 1st. Tickets are available right here. Now if you'll excuse me, I've got a margarita demanding my attention.

Missing Links

There's just too much internet out there. You know as well as me, it's impossible to keep up. So instead of trying to write about the countless things that catch my eye, I'm going to start just posting lists of links occasionally. I'm calling the series "missing links" which probably isn't original, but I still like the sound of it.


* "'Fail better' is now experimental literature’s equivalent of that famous Che Guevara photo, flayed completely of meaning and turned into a successful brand with no particular owner." * Hollywood tryouts for black cats, 1961. * Boomtown, Bill Vaccaro's photo series about fireworks stores * “What We Talk About When We Talk About Joan Didion” * Typewriter erotica from the 1920's * Things organized neatly * MoMA announces a Kraftwerk retrospective * Riding the bicycle school bus * The New York Public Library now offers the Stereogranimator to create animated GIFs * Splendid etchings by tattoo artist and semi-professional boxer Tony Fitzpatrick at Seattle's Davidson Galleries * Josie & the Pussycats in A Clockwork Orange. * Neighbors are breaking ground on a public food forest in Seattle's Beacon Hill *

Something Out Of Something

You have three more weeks to submit a work of art inspired by the writing of by Israeli short story writer, filmmaker, and graphic novelist, Etgar Keret. The Something out of Something Design Contest, which takes its name from a passage found in Keret’s forthcoming story collection Suddenly, a Knock on the Door is currently taking place on a blog of the same name, where submissions can be viewed and commented on by other entrants, readers, and Keret fans. Some of them are very silly, and some are shockingly beautiful. The winner gets $500, inclusion of the winning piece in a short story or film by Etgar Keret, and one signed and personalized copy of the new book. The contest ends on March 2, 2012. Keret speaks at Seattle Town Hall on April 25.

Valentine

by John Ashberry

Like a serpent among roses, like an asp
Among withered thornapples I coil to
And at you. The name of the castle is you,
El Rey. It is an all-night truck stop
Offering the best coffee and hamburgers in Utah.
It is most beautiful and nocturnal by daylight.
Seven layers: moss-agate, coral, aventurine,
Carnelian, Swiss lapis, obsidian—maybe others.
You know now that it has the form of a string
Quartet. The different parts are always meddling with each other,
Pestering each other, getting in each other’s way
So as to withdraw skillfully at the end, leaving—what?
A new kind of emptiness, maybe bathed in freshness,
Maybe not. Maybe just a new kind of emptiness.

The poem continues here.

Afrika Bambaataa in the 206

206 Zulu is the local chapter of the Universal Zulu Nation, and the Northwest hip-hop organization ne plus ultra. The Zulu Nation was the brainstorm of hip-hip pioneer Afrika Bambaataa who traveled to Africa in 1973 on a quest to find an alternative lifestyle to the gang culture that was tearing apart his Bronx neighborhood. Bambaataa returned to New York preaching the five original elements of hip-hop - DJing, MCing, break dancing, graffiti writing, and knowledge of the past.

In 2004, local MC and graffiti writer King Khazm got the go ahead from Zulu originator Bambaataa to establish a local chapter. Since then, 206 Zulu has become one of the most active and progressive Zulu chapters in the country. They've been at the forefront of using hip-hop as a vehicle for social change, staging workshops in schools, community centers, and juvenile detention facilities — pretty much anyplace that will have them. This week, 206 Zulu celebrates their 8th Anniversary with plenty of live music, DJ battles, b-boy and b-girl competitions, a graffiti art showcase, lots of educational workshops, and much more.

The week of celebration is capped with an appearance by Afrika Bambaataa himself on Saturday the 18th. Bambaataa is performing and hosting a "Zulu Jam" with multiple Seattle hip-hop luminaries. The show is for all ages, and tickets are a super affordable $10.

All events take place at Washington Hall at 153 14th Ave. in Seattle's Central District. For more info and tickets, head over here.

Films of Nicholas Ray

In 1971, Hollywood director Nicholas Ray was broke and took a teaching job at the State University of New York at Binghamton. His last film, 55 Days at Peking, had been a multimillion-dollar production that nearly killed him, and he didn't attempt to make another film for more than 8 years. Ray's class filled up with ambitious film students thinking they were going to take a directing class from a master, and who instead found themselves enmeshed in a no-budget, high-energy, and extremely confusing wild goose chase titled "We Can't Go Home Again."

Ray's vision for the film involved using multiple images simultaneously as a way of telling complex stories. He called it a “journalistic film... that shares the anthropologist’s aim of recording the history, progress, manners, morals and mores of everyday life.” The film was never completed and never released - until now. The incomplete but fascinating film "We Can't Go Home Again" opens today at the Northwest Film Forum, along with a documentary about the making of the film, "Don't Expect Too Much" by Ray's widow Susan Ray. The documentary goes even deeper into the director's vision, and includes interviews with Ray's students at the time, including Jim Jarmusch.

Ray died in 1979. "We Can't Go Home Again" and "Don't Expect Too Much" screen all this week, Feb 10–16, at Northwest Film Forum. More info and tickets here.

Monster by Mail

Since 2007, illustrator Len Peralta has been drawing personalized monster portraits for anyone who is willing to name one and cough up $50. It ain't a bad job, but Len just announced a small change in his business model. He is inviting a new stable of artists to tackle the monster-making chores, and the inaugural Monster By Mail guest artist is Sunday Williams of Olympia, WA - a woman represented on the web only by her charmingly odd blog Anger Burger which documents her disease-ridden digestive tract and self destructive eating habits. It's better than it sounds, and I have high hopes for this project. In fact, I've already dropped $50 for an image of a Punk Rock Flea. You've still got time kids! Get a personalized monster for your Valentine! Right here!

Nobody Beats the Drum

Sasquatch, the annual music festival at the Gorge ampitheatre, has announced their line-up. Some of the bands listed are intriguing, and who knows? I may wind up there myself.

An appearance by Nobody Beats the Drum grabs my attention. This very creative claymation video from 2011 is totally hypnotic, but what in the world is their live show like?

Wislawa Szymborska

Wislawa Szymborska, the Polish poet who won the 1996 Nobel Prize in Literature, died on Wednesday in Krakow. She was 88 years old.

Szymborska was born in Krakow in 1923, among the worst moments and places to arrive in the world over the last several decades. Despite her many experiences of armies and dogmas and death, which inevitably became important subjects in her poetry, she somehow created a body of work that maintained a lightness of spirit and even took joy in the particulars of life during the most difficult times. As her work makes clear, she was no stranger to terrible events, but she also found great beauty in writing charming meditations on furniture, insects, scissors, violins, teacups and onions.

A lovely summary of her life and work by New Yorker writer Adam Gopnik here.

Seen From Above

A dead beetle lies on the path through the field.
Three pairs of legs folded neatly on its belly.
Instead of death's confusion, tidiness and order.
The horror of this sight is moderate,
its scope is strictly local, from the wheat grass to the mint.
The grief is quarantined.
The sky is blue.

To preserve our peace of mind, animals die
more shallowly: they aren't deceased, they're dead.
They leave behind, we'd like to think, less feeling and less
    world,
departing, we suppose, from a stage less tragic.
Their meek souls never haunt us in the dark,
they know their place,
they show respect.

And so the dead beetle on the path
lies unmourned and shining in the sun.
One glance at it will do for meditation—
clearly nothing much has happened to it.
Important matters are reserved for us,
for our life and death, a death
that always claims the right of way.

The Diamonds are Everywhere

"In my life, that's what I want to be able to do with art, is to point out to everybody: 'There's just a fog over what you're seeing! But I swear to god, there's diamonds and sulfur, and you could make these awesome guns and defeat the evil slow-moving lizard guy! The diamonds are everywhere! You've just gotta look. They're right there!'"

Two of Washington State's greatest cultural exports, Sherman Alexie & Neko Case, have a conversation in this month's Believer magazine.

Three Quarks for Muster Mark!

Today is the birthday of James Joyce, born February 2, 1882. Joyce is, of course, the most tortured and most influential of all 20th Century writers. His life and his work has inspired all manner of praise and pilgrimage, from the small and silly to the large and ambitious. Revisit his work as often as you can, and read the indispensable biography by Richard Ellmann (double-ell, double-enn!) some day. For today, take the time to visit the absolutely marvelous James Joyce Portal curated by Jorn Barger.

This small section is from Joyce's final work Finnegans Wake.

Three quarks for Muster Mark!
Sure he hasn't got much of a bark
And sure any he has it's all beside the mark.
But O, Wreneagle Almighty, wouldn't un be a sky of a lark
To see that old buzzard whooping about for uns shirt in the dark
And he hunting round for uns speckled trousers around by Palmerstown Park?
Hohohoho, moulty Mark!
You're the rummest old rooster ever flopped out of a Noah's ark
And you think you're cock of the wark.
Fowls, up! Tristy's the spry young spark
That'll tread her and wed her and bed her and red her
Without ever winking the tail of a feather
And that's how that chap's going to make his money and mark!

Overhoved, shrillgleescreaming. That song sang seaswans. The winging ones. Seahawk, seagull, curlew and plover, kestrel and capercallzie. All the birds of the sea they trolled out rightbold when they smacked the big kuss of Trustan with Usolde.

Things to Worry About

In 1933, writer F. Scott Fitzgerald ended a letter to his 11-year-old daughter Scottie with a list of things to worry about, not worry about, and simply think about. It read as follows:

Things to worry about:

Worry about courage
Worry about cleanliness
Worry about efficiency
Worry about horsemanship

Things not to worry about:

Don’t worry about popular opinion
Don’t worry about dolls
Don’t worry about the past
Don’t worry about the future
Don’t worry about growing up
Don’t worry about anybody getting ahead of you
Don’t worry about triumph
Don’t worry about failure unless it comes through your own fault
Don’t worry about mosquitoes
Don’t worry about flies
Don’t worry about insects in general
Don’t worry about parents
Don’t worry about boys
Don’t worry about disappointments
Don’t worry about pleasures
Don’t worry about satisfactions

Things to think about:

What am I really aiming at?
How good am I really in comparison to my contemporaries in regard to:

(a) Scholarship
(b) Do I really understand about people and am I able to get along with them?
(c) Am I trying to make my body a useful instrument or am I neglecting it?

With dearest love,

Daddy

From the terrific blog Lists of Note.

In the Mail

Despite a life-long love for the mail, I don't send or receive too many letters these days. You? I thought not. Puppeteer and sci-fi author, Mary Robinette Kowal has an excellent suggestion for folks like us.

Kowal is challenging all of us to mail at least one item every day for the entire month of February. It can be a postcard, a letter, a picture, a cutting from a newspaper, or a fabric swatch. Additionally, she asks us to promise that we will write back to everyone who writes to us. Participants willing to make a public commitment can enter their names on her ad-hoc website, A Month of Letters, where you can also track your epistolary month via a calendar and request new pen pals - an old and lovely idea which is still somehow clinging to life. Of course, you don't really need a website at all to chat slow and old-school - surprise a friend by dropping a letter in the mail today.

Flicks for the Kids

Winter's dragging on, but the snow holiday is long over. Perfect timing for the annual Children's Film Festival Seattle, starting tonight and running through February 5 at the Northwest Film Forum.

This year's festival boasts as strong a line-up as ever, opening with the Seattle premiere of famed French animator Michel Ocelot's new film "Tales of the Night." The festival also features a music and movie pajama party for ages 3 and older this Friday night, a retrospective of animation from Russia's famed SHAR Studio and Animation School, founded in 1993 by a group of top Russian animators, and of course the awesome Pancake Breakfast this Saturday morning, with short films from around the world. I don't know who's more excited - me or my 3-year old. Full info on the Children's Film Fest right here.

I have no idea if this film, by Argentine illustrator and animator Santiago Grasso, will be in the festival. But it's winning all kinds of awards at recent festivals, I like it, and my kid does too. What else you want? A pancake? Enjoy.

Václav Havel

By Václav Havel in his 2005 memoir "To the Castle and Back":

I’m running away. I’m running away more and more. I find various excuses to run from my study, downstairs into the kitchen where I tidy up, listen to the radio, wash the dishes, cook a meal, think something over, or simply sit in my old place by the window and stare out…What am I actually afraid of? Hard to say. What’s interesting is that although I am here alone-and will continue to be here alone because no one that I know of has plans to visit – I keep the house tidy; I have everything in its place, everything has to be aligned with everything else, nothing can be left hanging over the edge of a table or be crooked…

I have only one explanation: I am constantly preparing for the last judgment, for the highest court from which nothing can be hidden, which will appreciate everything that should be appreciated, and which will, of course, notice anything that is not in its place. I’m obviously assuming that the supreme judge is a stickler like me. But why does this final evaluation matter so much to me? After all, at that point, I shouldn’t care. But I do care, because I’m convinced that my existence—like everything that has ever happened—has ruffled the surface of Being, and that after my little ripple, however marginal, insignificant and ephemeral it may have been, Being is and always will be different from what it was before.

All my life...I have simply believed that what is once done can never be undone and that, in fact, everything remains forever. In short, Being has a memory. And thus, even my insignificance—as a bourgeois child, a laboratory assistant, a soldier, a stagehand, a playwright, a dissident, a prisoner, a president, a pensioner, a public phenomenon, and a hermit, an alleged hero but secretly a bundle of nerves—will remain here forever, or rather not here, but somewhere. But not, however, elsewhere. Somewhere here.

There's a beautiful remembrance of Havel by Paul Wilson in the recent New York Review of Books.

Documentos

Astounding. Whether or not you speak Spanish, you must spend some time at the incredible new website for the International Center for the Arts of the Americas. It's a growing treasure trove of remarkable documents tracing the vast history of Latin American and Latino Art. Thousands upon thousands of scanned pages and recovered texts create a massive source of art and criticism from Argentina, Brazil, Colombia, Chile, Mexico, Peru, Puerto Rico, and Latino USA. It's a simply monumental digitization project, being created by the Museum of Fine Arts in Houston, available free of charge to researchers, teachers, and you and me.

Inventory

by Richard Hoffman

What I have given to sorrow,
though I have poured out
all I am again and again,
does not amount to much.

One winter’s snows.
Two loves I could not welcome.
A year of mostly silence.
Another man I might have been.