Thursday, April 11, 2013

Attila József

Today is the birthday of Attila József, born April 11, 1905.

József is one the best known modern Hungarian poets internationally, his poems having been translated into languages around the world and hailed during the communist era as Hungary's great "proletarian poet."

Born in an impoverished Budapest neighborhood, his father left the family when József was three, and József and his two sisters were supported by their mother, a washerwoman. His mother died when József was 13, at which point he dedicated himself primarily to his education. With help from a sponsor, he traveled to Austria and Paris, where he studied French and discovered the work of the 15th Century poet and thief François Villon.

Jószef published his first book of poems at 17, and his second collection of poems contained a poem branded as "revolutionary," which resulted in his expulsion from University. He wrote: "I have no father, no mother, no God, no country, no cradle, no shroud, no kisses, no love... I shall be seized and hanged and buried in hallowed ground, and grass that brings death will grow over my wondrously fair heart" He traveled with his manuscripts, selling newspapers and working an an itinerant janitor.

In 1927 several French magazines published József's poems, and eventually he was able to scrape together a meager income from poetry. His life was a series of small triumphs and great disappointments - becoming recognized by celebrated Hungarian critics, only to fall afoul of them when he dared to criticize their work. He joined the still-outlawed Hungarian Communist Party in the late 1920's, only to be charged with political agitation and obscenity and expelled from the party in 1933.

In 1935 he was hospitalized for severe depression, and in 1936 József was given a job as a co-editor of the independent left-wing review Szép Szó. In January 1937 he received the high honor of an audience with author Thomas Mann, but he was forbidden to read publicly the poem he wrote in tribute in Mann. Despite writing what is widely acclaimed as his best work during this period, he was again hospitalized and on December 3, 1937 József committed suicide by throwing himself under a freight train, seen only by a lunatic from the village.

The Seventh

If in this world you lay a claim,
let seven births be your aim!
Once be born in a burning home,
once in a flood in an icy storm,
once in a clinic where the mad retreat,
once in a field of bending wheat,
once in a cloister with a hollow ring,
once in a sty with a pigsty stink.
The six cry out, but which is key?
You yourself the seventh be!

If out front stands the enemy,
take seven men for company.
One, who starts his day of rest,
one, whose service is the best,
one, who teaches on a whim,
one, whom they threw in to swim,
one, who’s the seed of forestland,
one, whose forebears took a stand,
not enough tripping up and trickery,—
you yourself the seventh be!

Should you be seeking a lover,
let seven men pursue her.
One, whose word conveys his heart,
one, who gladly pays his part,
one, who pretends to be the pensive sort,
one, who searches beneath her skirt,
one, who knows where the hooks are,
one, who steps on her scarf,—
like flies around meat, buzzing free!
You yourself the seventh be!

If words are jangling in your purse,
seven men should compose your verse.
One, who chisels a city’s form,
one, asleep when he was born,
one, in awe of the celestial plain,
one, whom the word calls by name,
one, whose ailing soul revives,
one, who dissects rats alive.
Four scholars and two infantry,—
you yourself the seventh be.

And if it all happened as penned,
descend to the grave as seven men.
One, who’s rocked by a milky breast,
one, who grabs at a woman’s chest,
one, who throws dishes in the trash bin,
one, who helps the poor to win,
one, who works till he’s crazy,
one, whom the moon makes lazy;
into the world’s tomb you journey!
You yourself the seventh be!

Tuesday, April 9, 2013

David Byrd

87-year old painter David Byrd has painted incessantly since grade school, and has never before exhibited his work in a commercial gallery. Living and painting by himself in Sidney Center, New York, he had long since resigned himself to a life of invisibility after retiring from his long career as an orderly at a psychiatric Hospital.

Last September, a new neighbor was curious about a driveway filled with random junk carefully arranged, and she worked up the courage to knock on the door. There, she met Mr. Byrd and saw a house filled with hundreds and hundreds of his paintings. There were so many that they were hung three to a single nail. When she took one down, there was another one nested underneath.

The neighbor, Jody Issacson, also a painter, reached out to gallery owners on Byrd's behalf. As a result he is having his first-ever gallery exhibition at Greg Kucera Gallery in Seattle, where Isaacson also shows. His first show comes 77 years after he attracted attention for his grade-school drawings, more than 60 years since his brief formal art studies, and 25 years after his retirement.

The paintings are astounding, for their sense of narrative, studied poise, and unexpectedly tranquil centers. The surfaces are parched and raw, with a sparse pale palette, bringing forth visions of people Byrd has known, places he has seen, and more than anything else the intense and solitary lives of the people he observed every day at the hospital.

The nearly 100 paintings and sculptures represent work made throughout his life, and span the entire first floor of the Kucera Gallery. Jen Graves wrote a feature article on Byrd for the Stranger, which gives some sense of the unexpected beauty of his work. Seriously - Don't miss this show if you are in Seattle. At the Greg Kucera Gallery, 212 Third Ave S. From now until May 18, and completely free.

Monday, April 8, 2013

Ben Katchor

Cartoonist Ben Katchor pays attention to the forgettable things all around us. Tags on women's clothing, sugar packets, boxes of cheap second-hand postcards... all of it is the raw material from which Katchor conjures his panoramas of wistfullness and nostalgia.

His most recent book, Hand-Drying in America, is a compilation of monthly comic strips created for Metropolis magazine. True to form, Katchor ruminates on dancing schools, bars of soap, and the sound of the common light switch. "The architect spent hundreds of hours designing burnished brass switch plates for his new office tower, and then left it to a contractor to install these 79-cent switches behind them. ... The sound we are greeted with ... recalls to mind the dirty men's room in the rear of a Babylonian coffee shop."

Katchor says that his strips are "graphic notations of dreams that I have about the city." He often writes, he says, just before going to bed, when he's in a half-waking state. "This concentration on these minute details is not just to be willfully obscure. It's like a scientist looking at the molecular structure of things. If you really want to see how things work, you have to go down to the small scale."

Katchor appears on Tuesday April 9 at the University Book Store. Free of charge, beginning at 7 pm.

Wednesday, March 20, 2013

Suyama Space Garage Sale

The Suyama Space Benefit Garage Sale is a wondrous and completely irregular event in which the eccentric architecture firm Suyama Peterson Deguchi clears out its curiously curated attic, basement and gallery space. After a two year hiatus the sale is finally back, and includes an incomprehensibly weird and satisfying mix of objects including (but hardly limited to) one of a kind handmade furniture, taxidermied animals, transistor radios, foreign language typewriters, splendid textiles, objets d'art and many more unnameable treasures.

The sale takes place this weekend only, on Friday from 9 to 5, Saturday from 10 to 4, and Sunday from 10 to 4. At 2324 Second Avenue in Belltown. Bring cash!

Friday, March 15, 2013

Missing Links

* Book collector Richard Hell in the New York Times.* W. H. Auden was a professor of literature and history for one year at the University of Michigan for one year." His syllabus required over 6,000 pages of reading including "The Divine Comedy," "The Brother's Karamazov" and "Moby-Dick." * Here's a short film of Michael Jackson dancing, made with Legos * In 1977, when Jean-Luc Godard was invited on an assignment to Mozambique, he refused to use Kodak film on the grounds that the stock was inherently ‘racist’. * PennSound hosts a large archive of poet John Ashbery’s recorded work and performances dating back to 1951 * I could look at shit like this all day: Magnifying the Universe. Full screen is best.*

Wednesday, March 13, 2013

Hands

The project Hands, by a 4-man team from Barcelona, is some darn clever street art. The installations spreading through Barcelona's streets are well suited for an online presentation, complete with a video for political context. People's reactions to the art, not to mention the creation and installation processes, are also very well captured. Nicely done.

Tuesday, March 12, 2013

Yo La Tengo Murders the Classics

The world's greatest radio station, WFMU from East Orange New Jersey, is in the midst of their annual fund drive, and I am happy to promote them as a worthy cause.

Also on the list of supporters, the world's greatest cover band, Yo La Tengo, are playing your cover song requests in exchange for a minimum pledge of $100. This Thursday from 9am to noon East Coast time, the Yo Las will be beaming in live from Berlin. Good Samaritans can use this link to get your request in early, and listen here to see what they do to your favorite song.

If you can't play the radio at work, or don't have $100 to contribute, you can buy a ticket for just $20 to see Yo La Tengo live in Seattle on May 17th. But they won't be taking requests.

Sunday, March 10, 2013

Dinosaur Saints & Humble Robots

Speaking of Adam Ende, what has that guy been up to?

As it happens, Adam has been traveling with his son Cornsnake as part of their father and son puppet troupe, Jawbone Puppet Theater. Together they adapt stories of Franz Kafka, reinterpret African American folk tales with dinosaurs, explode in Spanish political rants, and share a gorgeous story about 16th century Peruvian saint San Martin de Porres. Adam designs the puppets and 5-year-old Cornsnake serves as love interest and musical director.

The two of them have been crossing the United States in a van along with Puerto Rican puppet troupe Poncili Company, who present their own subversive, thought provoking and occasionally shocking spectacles made of cardboard.

The 5-person circus recently wrapped up a two-month multi-city tour of New England, the Atlantic coast and the deep South, and are gearing up for their Spring and Summer tour across the northern states, Pacific Northwest and California. Touring libraries, farm markets, left wing book stores, underground enclaves and parking lots, they are probably headed your way before you know it. Watch their regularly updated facebook page for exact dates and locations.

Wednesday, March 6, 2013

Charles Burnett's Wedding

The 2007 theatrical release of Charles Burnett's 1977 drama Killer of Sheep was a landmark cinema event. The poetic and raggedly beautiful portrait of a Watts slaughterhouse worker was rescued from obscurity, and the director was catapulted into a long overdue fame.

Now, Burnett's lost second feature My Brother's Wedding, from 1983, has been released and is being shown as part of the Northwest Film Forum's L.A. Rebellion retrospective of African-American indie cinema. Set and shot in South Central L.A. with a largely nonprofessional cast, the film offers a world of complex family dynamics and social relations, shot before a complicated background of a loving neighborhood riddled with violence. The film remained unfinished until 2007, when Milestone Films - who also rescued Killer of Sheep - acquired the rights from its German financiers.

Charles Burnett will attend the screening at NWFF on Friday night, and on Saturday he will be at the screening of Bless Their Hearts which he shot for director Billy Woodberry in 1984. Saturday's screening is preceded by a free talk between Burnett and UW Professor of Social and Behavior Sciences Clarence Spigner. A bargain at $10, and tickets are available here.

Monday, March 4, 2013

Don't Hug me I'm Scared

Thank you Adam Ende for sending me this!

A trippy piece of puppety something from This Is It film-making collective out of London.

Sunday, March 3, 2013

Collage O Rama

Nice show of strong eye-catching images by Matt Dinniman. He manipulates photos, stock images & clip art, and digitally prints them on the pages of old books. Simple and surprisingly effective. At Cupcake Royale on Capitol Hill, or you can see and buy copies of the prints real cheap at Dinniman's Etsy shop, Collage-O-Rama.

Friday, March 1, 2013

The Great Flood

Guitarist Bill Frisell created a live soundtrack of howling saxophones, Thelonious Monk hooks, American Folk Music and Stephen Foster songs to accompany Bill Morrison's new film, The Great Flood. The film is a silent and solemn procession of archival movie images from the Mississippi river disaster of 1927. In closeup, it shows trickling streams and rain on cotton plants swelling into torrents; cigar-toting politicians making grand gestures;  the destitute lived in shanties, and the wealthy lived like kings.

The footage is authentic and sometimes amateur. The bleached-out glare or throbbing shadows merge with scenes of displaced farm workers and churches full of worshippers, while Frisell leads trumpet, guitar, bass, vibraphone and purcussion through a lush and imaginative score.

The performance was a highlight of the 2012 London jazz festival, and is coming to Seattle's Moore Theatre for one night. Tomorrow night, March 2. Tickets are still available and just $32.50. Available here.

Tuesday, February 26, 2013

Out of the Shadows

I wrote way back in 2011 about the photographer Vivian Maier.

To refresh your memory, In 2007 26-year-old real estate agent John Maloof walked into an auction house and bid on a box of 30,000 prints and negatives from an unknown photographer. Realizing the street photographs of Chicago and New York were of unusually high quality he purchased another lot of the photographer’s work totaling some 100,000 negatives, thousands of prints, 700 rolls of undeveloped color film, home movies, audio tape interviews, and original cameras.

Over time it became clear the photos belonged to a Chicago nanny who had photographed prolifically for nearly 40 years, but who never shared her work during her lifetime. Since the discovery Maier’s photographs have received international attention with collections touring in cities around the world as well as the publication of a book. Finally, a show of Maier's work has come to Seattle, open now at the Photo Center NW, and running through the end of March. See it!

Additionally, a documentary called Finding Vivian Maier is nearing completion and looks to be a fascinating film. Can't wait.

Monday, February 25, 2013

Drop the Beet

Very important: A cover of Massive Attack's Teardrop using vegetables connected to MIDI triggers. By Brooklyn musician j.viewz.

Friday, February 22, 2013

Emotional Baggage

In the early 1980's photographer Jon Crispin first came across Willard lunatic asylum, in upstate New York. Crispin immediately wanted to photograph the abandoned 19th-century building and worked for a long time to gain lawful access. Eventually he was allowed to tour the building accompanied; he took a friend along to distract the security guards while he poked around.

Willard was one of several asylums built in response to the campaigning of Dorothea Dix who, in 1841 began a self-funded investigation into treatment of the insane poor. Her efforts forced 20 states nationwide to provide funded care for the mentally ill. Willard was the first to be built for the chronically insane. If you came here, you were unlikely to leave.

Willard’s intake came chiefly from New York City, via a specially built train line. Others arrived by boat from all over the country, docking on Seneca Lake. Patients were kept clean, fed and exercised.
Within eight years, its inmate count of 1,550 made Willard the largest asylum in the country. At its height, this figure reached 4,000.

In 1995, as the building was being prepared for demolition, a local preservationist discovered hundreds of suitcases embalmed in dust and cobwebs in the attic space. The suitcases had belonged to patients who had lived and died there, and were filled with the items each had chosen, or had had chosen for them, when first admitted. 

Acquired by New York State, they were moved into storage and catalogued. Two years ago Crispin was invited to photograph the suitcases and their contents. To date he has photographer around 100, with more than 300 to go. His photographs, along with some of the objects, are embarking on a small museum tour, currently on display at the Exploratorium in San Francisco. The best place to see a large array of these gorgeous and haunting images is on Crispin's website.

Tuesday, February 19, 2013

Velowala

I was reading online about a fascinating workshop help in Delhi, India on bicycle commerce. The UnBox Festival focused on the incredible variety of goods being sold from bicycles in Delhi, and hoe the City can remove the obstacles that prevent even more widespread bike commerce.

UnBox was organized in part by Avinash Kumar, the mastermind behind the 2008 multi-media project Velowala.org, which strived to show a European audience that bike-based commerce is neither backward nor predictable. To that end, Kumar created this amazing website that shares images of bike-based salesmen all across India. The site, which is still live and still attracts participation from international photographers is a marvel. Well worth the time of anyone interested in the amazing environmental and social gains that follow when services are bike-based rather than dependent on motor vehicles and costly buildings.

Sunday, February 17, 2013

Roman Vishniac Rediscovered

Roman Vishniac was a Jewish photographer who was born in Russian and died in New York in 1990, aged 92. The International Center for Photography in New York recently became the repository of the Vishniac archive of some 30,000 objects: negatives, prints, film footage, memorabilia and correspondence.

This trove has resulted in a well-deserved retrospective at the ICP, and has stimulated new research into his work and life. The scope of his photographic accomplishments has proven to be even greater than was previously thought - the show of photographs and objects has been widely praised as magnificent and revelatory.

Vishniac fled Russia after the Bolshevik revolution and settled in Berlin, where he studied to be a biologist. Nazi restrictions on Jews prevented him from completing his scientific education, so from 1935 to 1938 he traveled on assignment for a Jewish relief organization as a photographer, documenting the lives of poor Jews in eastern Europe. The charity sought photographic evidence of desperate need, hoping this would help raise money for these doomed villages. Instead, these images became a rare record of an extinguished way of life.

In 1940 Vishniac, his wife and their two children arrived in New York and settled on the Upper West Side, where he opened a photo studio. His subjects ranged widely from portraits of Marc Chagall to images of a single pine needle. Eventually his haunting, beautiful photographs of Eastern Europe were published as a book, “A Vanished World”, in 1983. These images are well represented in the retrospective, as are many images never before seen, including his photos of a thriving Nazi-era Berlin, images of happier Jewish communities in the Netherlands, and photos of the Jews who survived the war.

The exemplary Travel and history blog Poemas del rio Wang recently posted an appreciation of Vishniac.

The show "Roman Vishniac Rediscovered" is on view at the International Centre for Photography until May 5th 2013.

Friday, February 15, 2013

Castles in the Sky

The Japanese animation powerhouse Studio Ghibli was founded in 1983 by animation directors Hayao Miyazaki and Isao Takahata. Ghibli produces films that are a wonderful antidote to American commercial animation - featuring genuine originality, dazzling animation and true storytelling weirdness. With baffling images and strange and subtle themes, many of their best works are truly not suitable for children.

SIFF Cinema is producing a second annual retrospective of Studio Ghibli’s films with glorious new 35mm prints of both the studio's biggest hits and some films that are rarely shown in the U.S., with most films presented in both English and in their original Japanese language with subtitles.

Wonderful stuff, and a great opportunity to see this gorgeous and unusual imagery on a big screen. Starting tonight at the SIFF Cinema downtown, and running until February 21. Tickets available here.

Thursday, February 14, 2013

Lupercalia


Today, February 14th, is the start of the ancient festivals Februa (from which this month gets its name) and Lupercalia, both dedicated to renewal and cleansing, averting evil spirits and purification.

Lupercalia, or "Wolf Festival," was partly held in honor of Lupa, the she-wolf who suckled the infant orphans, Romulus and Remus, the founders of Rome. Lupercus, who's feast day is held at the same time, is the god of shepherds. During the Lupercalia celebration, young people would run up and down through ancient Rome naked, striking those they meet with shaggy thongs. Pregnant women would deliberately get in their way in the belief that being struck would be helped in delivery.

The Gurldoggie, something of a she-wolf herself, wishes you all a Happy Lupercalia.



The Wolf's Postscript to 'Little Red Riding Hood'

by Agha Shahid Ali

First, grant me my sense of history: I did it for posterity, for kindergarten teachers and a clear moral: Little girls shouldn't wander off in search of strange flowers, and they mustn't speak to strangers.

And then grant me my generous sense of plot: Couldn't I have gobbled her up right there in the jungle? Why did I ask her where her grandma lived? As if I, a forest-dweller, didn't know of the cottage under the three oak trees and the old woman lived there all alone? As if I couldn't have swallowed her years before?

And you may call me the Big Bad Wolf, now my only reputation. But I was no child-molester though you'll agree she was pretty.

And the huntsman: Was I sleeping while he snipped my thick black fur and filled me with garbage and stones? I ran with that weight and fell down, simply so children could laugh at the noise of the stones cutting through my belly, at the garbage spilling out with a perfect sense of timing, just when the tale should have come to an end.

Sunday, February 10, 2013

Crankie Young People

A "crankie" is an old-timey American art form in which an evolving panoramic scene is rolled up inside a box, then hand-cranked so that it scrolls across a viewing screen. Often presented with music or spoken story-telling, a crankie is an inexpensive and often highly personal way of creating a kind of primitive animation for an intimate audience.

On Valentine's Day, Seattle is playing host to her first ever Crankie Festival. Produced with the help of the Carter Family Marionettes, a half dozen musicians, story tellers and puppeteers will showcase their scrolling stories for a single night. At the Northwest Puppet Center, 9123 15th Ave NE, Seattle on Thursday, Feb 14th. Tickets are just $15 and available right here.

Here's an exceptionally pretty example of the art form, by puppeteer Katherine Fahey.