Friday, April 29, 2011

Symmetry

Just a pretty little film to share on a Friday afternoon, created by the filmmakers at Everynone to accompany a recent episode of the public radio show Radiolab. A simple and well-made split-screen take on our need for balance. More films from Everynone here.

Wednesday, April 27, 2011

Euthanasia Coaster

The “Euthanasia Coaster” is a hypothetical euthanasia machine in the form of a roller coaster engineered to humanely and elegantly take the life of a human being. Riding the coaster’s track, the rider is subjected to a series of intensive motion elements that induce various unique experiences: from euphoria to thrill, and from tunnel vision to loss of consciousness, and, eventually, death. This ‘kinetic sculpture’ is in fact the ultimate roller coaster: John Allen, the former president of the famed roller coaster builders Philadelphia Toboggan Company, once said that “the ultimate roller coaster is built when you send out twenty-four people and they all come back dead. This could be done, you know." From Design Interactions Research. More here.

Monday, April 25, 2011

Nests and the Birds That Built Them

Photographer Sharon Beals recently published Nests: Fifty Nests and the Birds that Built Them, a book of 50 exquisitely observed nests built by different species of birds. The photos are remarkable, revealing a wide range of techniques and materials including from mud, branches, and sticks to spiderwebs, moss, saliva, fur and bones. Above, a housewren's nest. Below, a Spotted Nightingale Thrush. More here.

Saturday, April 23, 2011

St. Jordi's Day

Today Catalunya celebrates Sant Jordi's Day, among my favorite of all holidays. It is the feast day of the dragon slayer Saint George, and also the birthday of both William Shakespeare and Miguel de Cervantes. In Catalunya it is known as "El dia del llibre" or "The Day of the Book," during which all women receive roses and all men receive books, although it has become ever more common to give books to everybody. In honor of the beloved book makers of that region, an image from Galeria d'Imatges, a Catalan group blog which consists of book hounds Galderich of Piscolabis Librorum, Carlos Hernandez of El Gabinet Negre, Leblansky of Enceneu els Llums, and others.

Found at the redoubtable 50 Watts.

Tuesday, April 12, 2011

Billy Bang

Quite sad to learn that violinist Billy Bang died yesterday, April 11. Bang was a remarkable musician and a unique person. He studied violin as a child and was granted a scholarship to study music at a performing arts high school in Stockbridge, Massachusetts, but was drafted into the U.S. Army before receiving his high school diploma. Bang arrived at Vietnam during the onset of the Tet Offensive and did a tour of duty there.

Back at home, Bang struggled to find his place in society. He turned to drugs and got caught up in a group of militants, where he put his knowledge of weapons to work helping to buy guns. It was supposedly during a gun-buying trip, in a Baltimore pawnshop, that he heard a sound calling him to a back room. "I don't know if it was on the radio or in my head, but I heard it. I walked back there and there were these old, used violins hanging up on a rope." Bang bought a $25 violin and began playing seriously again. He studied with jazz violist Leroy Jenkins, joined Sun Ra’s Arkestra, and worked with avant garde luminaries Don Cherry, William Parker, David Murray, and many others. In 1977 he formed the remarkable String Trio of New York which he led until leaving the group in the late 1980's.

In the early 2000's, Bang decided that it was time to confront his personal demons head-on and recorded two astonishing albums about his experience in Vietnam, Vietnam: The Aftermath in 2001 and Vietnam: Reflections in 2004. These records are both absolutely beautiful - simultaneously melancholy and angry, melodic and dissonant, and are often considered the crowning achievements of his career. His final record was the haunting Prayer for Peace, release in July 2010.

Bang died of lung cancer at the age of 63.

Tuesday, April 5, 2011

Bikes at War

Rather than display her considerable ignorance, Gurldoggie stays clear of anything resembling contemporary politics. That being said, it's hard to resist this image of the rebellion in Libya, courtesy of Photo District News. Do I think good things are happening in Libya? Do I support one side or another? Is military action ever justified? By anyone? Hell if I know. But I will always support the creative use of bicycles. And this guy is welcome on my Critical Mass ride. Ka-Boom.

Thanks to The Corey for the photo tip.

Wednesday, March 30, 2011

Unintended Calculations

Nice new walls on the streets of Vancouver, BC from Remi Rough, Augustine Kofie, Jerry Inscoen and Scott Sueme. The murals, on the walls of the Moda Hotel, were the opening salvo in the foursome's group show Unintended Calculations at Becker Galleries. See it now, it's not up for long.

Saturday, March 26, 2011

Two Today

Little Nico turns a beautiful two years old today. And while it may not be QUITE like this, there are certainly moments when this is EXACTLY what it feels like.

Thursday, March 24, 2011

Lexier vs Bok

Smart and simple collaboration between Micah Lexier and poet Christian Bok. Found on the streets of San Francisco by Jacklyn Atlas.


Wednesday, March 23, 2011

Femme nu a Seattle

A lovely photo from French photographer Lucien Clergue, with 1980's era Seattle in the background. Discovered on the luscious photostream Melisaki. Also not to be missed, this photo of cartoonist Saul Steinberg, with himself as a Little Boy, on Long Island in 1978. "Pulse Pause Repeat."

Monday, March 21, 2011

Blödes Orchester

The Blödes Orchester (or "stupid orchestra) is comprised of more than 200 vacuum cleaners, blenders, washing machines and electric razors arranged like a symphony orchestra. You can't make this shit up. By the Hamburg-based composer and theater director Michael Petermann. You can see the full 35 minute-long performance every hour at the MKG Hamburg until April 30th.

Tuesday, March 15, 2011

Beware the Ides of March

Why, man, he doth bestride the narrow world
Like a Colossus, and we petty men
Walk under his huge legs and peep about
To find ourselves dishonourable graves.
Men at some time are masters of their fates:
The fault, dear Brutus, is not in our stars,
But in ourselves, that we are underlings.
Brutus and Caesar: what should be in that 'Caesar'?
Why should that name be sounded more than yours?
Write them together, yours is as fair a name;
Sound them, it doth become the mouth as well;
Weigh them, it is as heavy; conjure with 'em,
Brutus will start a spirit as soon as Caesar.
Now, in the names of all the gods at once,
Upon what meat doth this our Caesar feed,
That he is grown so great? Age, thou art shamed!
Rome, thou hast lost the breed of noble bloods!
When went there by an age, since the great flood,
But it was famed with more than with one man?
When could they say till now, that talk'd of Rome,
That her wide walls encompass'd but one man?
Now is it Rome indeed and room enough,
When there is in it but one only man.
O, you and I have heard our fathers say,
There was a Brutus once that would have brook'd
The eternal devil to keep his state in Rome
As easily as a king.

— Cæs. The ides of March are come.
Sooth. Ay, Cæsar; but not gone. Act iii. Sc. 1.

Monday, March 14, 2011

Cycling In The Netherlands In The 1950s

At the same time that the Eisenhower Interstate Highway system was being built in the United States in 1956, sounding the death knell of all reasonable and human scaled forms of transportation in this country, nearly 85 percent of the population in the Netherlands were getting from point A to point B by bicycle. Today there are about 16 million bicycles in Holland, slightly more than one for every inhabitant. About 1.3 million new bicycles are sold every year.

This charming video, discovered on the ever useful youtube, is a great collection of images of Dutch cycling in the 1950s. Makes one yearn for civilization.

Sunday, March 13, 2011

Hans Bellmer

Today is the birthday of Hans Bellmer, born March 13, 1902. Bellmer was born in Kattowitz, Germany and at his father's insistence worked in a steel factory and a coal mine until entering Berlin Polytechnic to study engineering. While in Berlin Bellmer met the artists John Heartfield, Rudolf Schlichter and George Grosz and their friendship and inspiration led him to drop out of college in 1924 to work as a book printer and then as a commercial illustrator.

In 1933, as the Nazi party assumed power, Bellmer resigned his position and refused to continue working as a sign of resistance. He began to construct deliberately provocative sculptures using girlish three-dimensional dolls, which he photographed in erotic poses. Some of these works were published by Bellmer at his own expense in 1934, and others appeared in the Surrealist journal "Le Minotaure," signaling a long association with the European surrealists. In 1938 Bellmer fled Germany for Paris and on the outbreak of the second world war was interned with Max Ernst in a camp near Aix-en-Provence. On being discharged from the camp in 1941, Bellmer renounced his German nationality and fled to Castres. In 1943 Bellmer had his first one-man show at the "Librairie Trentin", a bookshop in Toulouse. It was followed by numerous international Surrealist group shows.

Over the course of his career Bellmer continually explored the subconscious aspect of sexuality by creating hallucinatory sculptural objects, photographs, drawings, prints and paintings. Bellmer never stopped creating evocative and arguably obscene images with which he expressed a rebellion against society, conventional rationality and the dangerously conformist times and places in which he lived.

Hans Bellmer died in Paris in February 1975.

A show of his work is on display in Los Angeles at Galerie Anais through March 31.

Friday, March 11, 2011

Maybe Alone on My Bike


by William Stafford

I listen, and the mountain lakes
hear snowflakes come on those winter wings
only the owls are awake to see,
their radar gaze and furred ears
alert. In that stillness a meaning shakes;

And I have thought (maybe alone
on my bike, quaintly on a cold
evening pedaling home), Think!--
the splendor of our life, its current unknown
as those mountains, the scene no one sees.

O citizens of our great amnesty:
we might have died. We live. Marvels
coast by, great veers and swoops of air
so bright the lamps waver in tears,
and I hear in the chain a chuckle I like to hear.

Photograph by Josef Koudelka.

Wednesday, March 9, 2011

Os Gémeos & Blu in Lisbon

Absolutely extraordinary art from Blu and Os Gémeos in Lisbon. A five-story collaboration across three walls of an apartment building. And the eyes of the fat man are suspended from the roof so that they move in the wind. So good. Check out Unurth for closeups and details.

Tuesday, March 8, 2011

Motion

Nothing but busy. Where does the time go?

I can't pretend I have time to get out and see or do much that's social these days. So maybe I'll just post a few days worth of true distractions. As a case in point ... you've seen parkour. You've seen flip-books. But I'm guessing you still haven't seen this inventive painstakingly hand-made film by Singapore-based designer Serene Teh. Only 45 seconds! Watch it twice!

Monday, February 28, 2011

Shipping Out

Illustrator and blogger Tessa Hulls leaves Seattle tomorrow for a bike ride across the country. As far as art is concerned she'll be out of internet range until at least July, though she has hinted that she'll periodically post travel updates on her blog. Tessa has a show up at Bherd Studios in Greenwood at the moment, part of a terrific series that she has been creating on migration and memory. Nomads and wanderers are well represented in Hulls' lovely visual repertoire, and one hopes that she finds hosts across the country who are equally receptive to her travels. Good luck and godspeed! You can see the show until March 9th, and which point Hulls will be in...Coeur d'Alene?

Thursday, February 24, 2011

Let's Ride

A beautiful and timely cover adorns the latest issue of The Ride, a journal of writing, art and bicycling out of the United Kingdom. The image is by I Love Dust, and you can see their gorgeous covers for issues 1 through 4 right here. As always, the new issue is a stunning combination of fine writing, lush photography, and brilliant illustration, all themed around bicycles of every conceivable form and style. A must-read for us literary biker types. The Ride #5 is available on their website or at a small handful of American cycle shops. You can download pdfs of issues 1 and 2 if you want to take a look before spending your hard earned dosh. Or you can just take my word for it.

Monday, February 21, 2011

Here Comes The Story of the Hurricane

In October 1966 Rubin "Hurricane" Carter was a successful boxer, in training for a shot at the world middleweight title. He was arrested for the murder of three patrons at the Lafayette Bar & Grill in Paterson, New Jersey based on a description of the killers as "two Negroes in a white car." Carter was cleared by a grand jury when the one surviving victim failed to identify him. Regardless, the State produced two new eyewitnesses who made positive identifications, a sham of a trial followed, and Carter was convicted and sentenced to three life prison terms.

During the mid-1970s, his case became a cause celébrè for a number of civil rights leaders, politicians, and entertainers. He was ultimately exonerated, in 1985, after a United States district court judge declared the convictions to be based on racial prejudice. After serving 19 years in prison – 10 of them in solitary confinement – Carter has become a tireless advocate for the wrongfully incarcerated. He serves as director of the Association in Defense of the Wrongfully Convicted, headquartered in his house in Toronto and also serves as a member of the board of directors of the Southern Center for Human Rights in Atlanta and the Alliance for Prison Justice in Boston. Carter recently published a new memoir Eye of the Hurricane: My Path from Darkness to Freedom billed as "a document of his spiritual and factual history." Carter reads from and signs his new book in Seattle, at the University Bookstore, on Thursday February 24 at 7pm.